This year, 24% of Japanese visitors are Koreans,

2024. 7. 1. 07:22U.S. Economic Stock Market Outlook

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It is important that the Korean entertainer recalled the original Japanese idol's "Blue Sanhocho" after 44 years.

This year, 24% of Japanese visitors are Koreans, and most of them do Instagram. They are all holding iPhone Galaxy, so social media spread is quite a influencer. No, the reason I went to Japan in the first place is to post it on Instagram.

Therefore, what matters is the power of interpretation. Koreans now have the power to interpret East Asia, where they can even open grilled fish restaurants on a quiet beach in Kamakura. The power of interpretation that can make a hidden restaurant famous worldwide, which even Japanese people did not know existed...

Indeed, it is also a K-drama that caused a rural village along a lake in Switzerland to collect admission fees due to an explosion of tourists.

It is a blue coral reef that Korea reinterpreted for the first time in 44 years on behalf of aging Japan. Just as Britain once interpreted India and Hollywood interpreted Germany, Japan is now studied and interpreted for Korea.

Thousands of discourses have exploded since the Tokyo Dome, but everyone is missing the point - the great shift in East Asian interpretation power.

E+175 #PSB #腦星 Keyword of the day #Interpretation Power

Japanese bulletin board + comments on the news that there are suddenly a growing number of "sorry" netizens in Korea —

I was wondering what kind of English it was, and it was the Japanese's review after watching Netflix's Korean drama movie.

Looking at <Mr. Sunshine>, which depicts the tragic end of the independence army, the righteous army, and the Joseon royal family, I realize that Japan has committed a great crime against its neighboring country.

In "Crash Landing on You", starring Son Ye-jin and Hyun Bin, I am sorry once again for knowing that Japan is responsible for the division of North and South Korea.

It is a drama film starring a Korean starring a Korean produced by a Korean full of nationalist sensibilities, so of course, it is bound to empathize with the feelings of Koreans.

So, when I fall in love with the drama, cry, laugh, and suddenly come to my senses, "Oh, it's our ancestors who are the villains who committed that heinous crime against humanity!" This kind of reality hits me.

Since the Korean Wave began to hit the jackpot, protesters in Myanmar have also hit SOS in Korea, and there are many countries that demand our nosiness even if they don't like it

This can be seen as a positive influence of the global Netflix platform. The phenomenon in which Korean dramas are belatedly giving young Japanese people in the 21st century to the education of modern history, which the Japanese government skipped and ignored and distorted..

When I thought about this, I suddenly thought that there is a country that has been receiving true education for nearly 70 years - Germany!

When on earth did the war end, a patient European industrial powerhouse who is taught history truth by Hollywood every year.

If I were a young man in Germany, I would naturally scream "Stop it!" at the Hollywood-based education, which has been injected repeatedly for 70 years.

Even in action movies that are not war or historical, the German car is often depicted as a car with villains, so I've said everything.

How would the Japanese feel if all the villains and criminals of modern Korean culture ride only Toyoda Lexus, Nissan and Honda!

Even so, I feel opposed to it because I think it's too much. In that way, the mentality of the Germans is amazing even when you think about it again.

Crown Princess Meghan Markle is making headlines with her bag of cloth designed by Koreans.

What I laughed at was comments from Koreans who suddenly turned their arrows to China, saying, "This time it's Bo-ja's turn!"

To be honest, it makes me laugh that the three Northeast Asian countries are arguing about aid to each other over kimchi or danoi.

It's like Germany, Britain, and France, where we laugh when we see bread and cheese and we fight.

So I don't think the ridiculous original debate is actually the essence.

The core of the problem is that the power of interpretation of East Asian culture has now moved from Japan to Korea, and in the meantime, China's jealousy of not becoming a soft powerhouse has only been added to its national efforts.

In other words, this is not an original debate.

It's an expression of jealousy of Korea, the East Asian soft power champion who plastered Netflix and made Chinese and Japanese children empathize with the Korean protagonist's perspective.

This is what I think when I look at the Professor Ramzier debate.

You're hitting the back really fast.

For the past few decades, Japan, the economic powerhouse that represents East Asia, including China and South Korea, has almost ranked No. 1 in the world. Professor Ramzier said, "This is just a minor leak from the power struggle that Japan has waged for more than a century.

Most of the documents related to East Asia in university libraries around the world were built with this interpretive power-grabbing campaign centered on the Japanese Foundation.

Therefore, the unexpected achievements of Netflix dramas in our war of interpretative power, which academia did not win, are truly remarkable.

It is only a minor noise that occurs in the process of reclaiming the hegemony once occupied by the British interpretation power and then Japan's interpretation power.

Right now, the squabbling aid debate between South Korea and China is --

So it's the story of <环球时报> that I read again.

E+38 #PSB #腦星 Keyword of the day - #InterpretationPower

I suddenly realized it while reading the Chinese special of the Financial Times over the weekend.

Most of the Chinese content I read all my life was through English-speaking media.

Since I have never studied Chinese in the first place, the only way I can study China is English literature or Korean literature.

As a result of comparative reading, the quality and insights of English-speaking literature were far superior to those of Hangeul in understanding modern China.

In particular, the U.K., which agonized until the last minute about whether there was a way not to return Hong Kong, a pearl of the East, which has been cherished for 99 years, to China, was very engrossed in Chinese research.

That's why the Financial Times' analysis of China is overwhelmingly outstanding.

The American academia, which is now confronting China as a G2, is as deep as Britain in the depth of Chinese research.

With that in mind, we realize that most of our perceptions of China and India, which were Britain's Fiji medium or colonies in the 20th century, were formed by the English literature left by Britain.

In the case of Mahatma Gandhi, the spiritual leader of India, I wonder if Indians will be able to do so

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